Jesus Christ,
the condescension of divinity,
and the exaltation of humanity.
–Phillips Brooks
Are you familiar with Phillips Brooks (1835-1893)? If you had lived in the mid-to-late 1800s, it’s likely you would have known the name. By age thirty, he was considered one of the premier preachers in America.
Brooks began his ministry at a small church in Philadelphia, Pennsylvania where he served two years. In 1859, another church in Philadelphia, Holy Trinity Church, invited him to be their minister, and Brooks accepted.
Less than two years later, America was engulfed in the Civil War. Young Brooks led his congregation through those dark and painful times.
But finally, on April 9, 1865, General Lee surrendered to General Grant, and Americans dared hope for reconciliation between North and South. Then, just one week later, President Abraham Lincoln was shot and killed. Phillips Brooks was asked to preach at the funeral of the fallen president. Brooks was just thirty years old.
The war years had taken their toll on the young preacher. In December of 1865, he took a sabbatical in the Middle East. On Christmas Eve Day, Brooks was in Jerusalem. He decided to borrow a horse and ride to Bethlehem, about five miles away.
Approaching the village, Phillips noted that little had changed since Bible times. Sheep still dotted the hillsides and shepherds in long robes still kept watch over their flocks.
At dusk, Brooks rode into Bethlehem itself—just a small, clay-colored village crisscrossed with dirt paths. Phillips thought, How stunning to consider that our heavenly King was born into such modest surroundings.
And then his thoughts drifted back to that momentous night when the Son of God also became the Son of Man. His heart overflowed with fresh wonder and unspeakable joy. The heartaches of the past four years began to diminish.
Later he would tell family and friends the experience would forever be “singing in my soul.” But Phillips found it impossible to fully describe that evening. This was one time the famous orator was at a loss for words.
Three years later in 1868, Brooks found his thoughts returning to that mystical Christmas Eve in Bethlehem. He started jotting down words and phrases that occurred to him, and it wasn’t long before he had the makings of a poem.
This might lend itself to music, he thought, and gave the poem to the organist of Holy Trinity Church, Lewis Redner.
But try as Redner might, a tune worthy of Brooks’ lovely poem would not come to him.
Lewis went to bed on Christmas Eve feeling like a failure.
Later, Lewis explained what happened next: “I was roused from sleep late in the night hearing an angel-strain whispering in my ear, and seizing a piece of music paper I jotted down the treble of the tune as we now have it, and on Sunday morning before going to church I filled in the harmony. Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868.”
But it has. Nearly one hundred fifty years later, we’re still singing O Little Town of Bethlehem. It is one of the most beloved carols in the world.
O little town of Bethlehem
How still we see thee lie
Above thy deep and dreamless
Sleep the silent stars go by.
Yet in thy dark streets shineth
The everlasting light.
The hopes and fears of all the years
Are met in thee tonight.
Phillips beautifully highlighted two contrasts between: 1) the still, dark night and the everlasting Light that burst upon Bethlehem, 2) the sleepy little village and the momentous birth which occurred in its midst. The tune Redner heard and recorded also created contrast by moving between major and minor keys.
Brooks concluded his first verse with one more set of opposites : All of our hopes are met (fulfilled) in Jesus, and all our fears are met (dealt with) by Jesus (1 Timothy 1:1; 1 John 4:18). Glad tidings of great joy, to be sure.
I have to wonder also if the quote at the beginning of this post—another study of contrasts–didn’t result from that Christmas Eve in Bethlehem:
Jesus Christ,
the condescension of divinity,
and the exaltation of humanity.
Sources: Stories Behind the Best-Loved Songs of Christmas by Ace Collins; www.hymnsandcarolsofchristmas.com; www.crosswalk.com; http://www.joy-bringer-ministries.org.
Photo credits: www.openlettersmonthly.com; http://www.heavens-gates.com; http://www.globible.com
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Thank you so much for sharing this. I’ve played this carol all my life and never knew the author had ever visited Bethlehem in person. Should have known, though, it carries such an anointing.
Oh, yes, you are so right: this carol does carry a special anointing! I now have a new appreciation for Brooks’ lyrics, how he captured the wonder of Christ’s birth. Thank you, Bette, for stopping by and taking time to comment.
I love reading the stories behind the hymns. Having just seen Bethlehem a month ago, this was even more meaningful. Thanks Nancy
I agree that visiting Bethlehem, seeing those same hillsides, etc. does make Phillips Brooks’ story even more meaningful! I’m delighted you enjoyed the post, Jean.
Lovely. I love discovering the stories of the people who penned our Hymns.
Oh, yes! Me, too! I’m hoping we sing this carol sometime during Advent, just so I can enjoy its history as I sing the lyrics. Knowing the background of hymns and carols does add to our appreciation, doesn’t it?
Loved reading about this beloved hymn, Nancy! The history behind it makes it so meaningful. The birth of our hymns truly seems to come from the lyricists’ times of pain… From those who have truly witnessed the wondrous touch of the Great Physician, be it a physical or psychological event that the Lord allowed to happen…for a purpose later revealed in full.
Beautifully said, Cheri, and so true. There is always purpose in the pain (Romans 8:28), but some we won’t understand until we get to heaven and, as you said, all is revealed in full.
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[…] Phillips Brooks, 1835-1893, was an esteemed clergyman, now best-remembered for composing the lyrics to the hymn ‘O Little Town of Bethlehem.” […]